Silvia Calderoni’s show makes us behave like the voyeurs of a peep show. The only difference is that she shows us not only her body, but the anxiety and pain as well caused by her physical otherness. A REVIEW BY PANNI PUSKÁS. More
He wasn’t rolling in offers after the Oscar for Saul, but he does not see it as a tragedy.
We contacted Mátyás Erdély in London, where he is shooting the new Jude Law film.
An Interview by TAMÁS SOÓS.
More
Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union, but the performance as a whole is built from us, non-Soviets, it tells our story. By JUDIT CSÁKI. More
Kokan Mladenović’s name is well known both within and outside the theatre: he is the director who will not keep quiet, and won’t tolerate it from others either.
AN INTERVIEW BY ZSÓFI SZERDA.
More
Who have not wished for their favourite paintings in a museum to come to life and tell the continuation of the story captured in the moment? Ruben Brandt, Collector is an animated feature film built on exactly that desire, while conjuring an intriguing story around the classics set in motion. More
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these are only a few of the shows in which Róbert Alföldi worked in the past season. In 2018 his performances were nominated in five categories for the Theater Critics’ Award. More
After almost three years' work and spending around 15 billion HUF, the Museum of Fine Arts reopened in the autumn. The building underwent its greatest reconstruction of its history, but at first glance all we see are minor face lifts. Which only shows that the designers were on the right track. More
