Deborah Zoe Laufer's comedy The Last Schwartz was put on stage at Belvárosi Színház in October. We invited the author to talk about tradition, religion, disintegrating cultures and Tchekhov. AN INTERVIEW BY ÁGNES MERÉNYI. More
Krasznahorkai is no stranger to the depiction of seclusion and solitude as the necessary (and sometimes almost sufficient) component of creative work, and to the bitter romanticism of how extremely lonesome everyone is in this world. A REVIEW BY JÓZSEF NAGYGÉCI KOVÁCS. More
Silvia Calderoni’s show makes us behave like the voyeurs of a peep show. The only difference is that she shows us not only her body, but the anxiety and pain as well caused by her physical otherness. A REVIEW BY PANNI PUSKÁS. More
He wasn’t rolling in offers after the Oscar for Saul, but he does not see it as a tragedy.
We contacted Mátyás Erdély in London, where he is shooting the new Jude Law film.
An Interview by TAMÁS SOÓS.
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Kokan Mladenović’s name is well known both within and outside the theatre: he is the director who will not keep quiet, and won’t tolerate it from others either.
AN INTERVIEW BY ZSÓFI SZERDA.
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Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union, but the performance as a whole is built from us, non-Soviets, it tells our story. By JUDIT CSÁKI. More
Who have not wished for their favourite paintings in a museum to come to life and tell the continuation of the story captured in the moment? Ruben Brandt, Collector is an animated feature film built on exactly that desire, while conjuring an intriguing story around the classics set in motion. More
