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After ten years we had the pleasure of seeing the Belgian Peeping Tom theatre company in Trafó once again. We had a chat with Gabriela Carrizo, the director of Moeder (Mother) about remembrance, time, family and team work. AN INTERVIEW BY PANNI NEDER.
Béjart provides a simultaneous interpretation of The Magic Flute, creating a one-to-one mapping from the characters of the opera and the music to dancers and movements. BY CSABA KRÁLL.
At the 53rd Karlovy Vary International Film Festival, the first screening of László Csuja’s film, Blossom Valley took place on Sunday. Unfortunately the director placed too much confidence in the personality of the female protagonist carrying his first film. A REVIEW BY BORI BUJDOSÓ.
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At 4 a.m. Sunday CET the first Hungarian theatrical festival, the Hungary Live Festival was launched with the concert of the Szakértők band. Five days os lectures, concerts, workshops and professional discussions. BY TAMÁS JÁSZAY.
Emmanuelle Haïm is a French harpsichord and piano artist, a conductor and an artistic director, who has been one of the most prestigious performers of baroque and 18th century music for decades. The artist and her orchestra, Le Concert d’Astrée founded in 2000 visit the Budapest Spring Festival as a part of a tour from Ireland to Bahrain, during which they perform Italian baroque cantatas. BY JÁNOS MALINA.
Snow frozen stiff cracks under the hooves of a beautiful deer in the wintery forest of dreams saturated with a strange, atmospheric sense of reality. After many years Ildikó Enyedi gives us a story, food for thought and a bit of magic. BY ZSOLT GYENGE.
There is order within the head of Poprishchin. Things begin to change when this order starts interacting with the chaos of the outside world. REVIEW BY TAMÁS JÁSZAY.
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